Jack Yan: How do you see your modeling career lift the profile of the causes you are involved in?

Summer Rayne Oakes: The glamorous appeal that surrounds modeling really helps target a wider and more varied audience for the causes that I am associated with; environmentalism and humanitarian issues are hot topics all the time, but usually within certain cliques. My image is the primary draw for most viewers, but I’ve received an inordinate amount of mail from individuals who inadvertently learn about my work and can relate to it, are interested in it, or are inspired by it; it’s really energizing to hear what they have to say. You don’t always get that appeal and response from general audiences to traditional activism. I think it’s a viable way to engage outside groups.

A majority of my work, like John Cooper’s Organic Portraits project, Mercado Global, sustainable fashion outreach, and my media ventures are all linked to fashion in a major way, so just being in the industry is a plus. I’ve met a good number of people who are involved in similar endeavors and many of them are at least within 3 degrees of someone who can contribute to a cause in a substantial way.

JY: You’ve spoken about how you’ve been hooked into environmental science and entomology, but how did you get started in modeling? Was a connection ever apparent that being a model could help a cause?

SRO: It all started my sophomore year of college. I found myself getting a bit disenchanted by “the system.” Professors and students were encouraged to think outside the box, but in the end, most of the time it came down to how many papers you can get into scientific journals, which isn’t always the best venue for engaging citizens who don’t read that stuff. Don’t get me wrong though, I definitely loved college, everyone was so supportive, and it’s an experience that I would do all over again.

I did, however, begin asking myself if I could do more. I became fascinated how celebrities and models could make such a difference in the world if they wanted to and the fashion industry was mighty appealing to me. I wanted to experience that and I wanted it badly. I started with an agency in Philadelphia which took me for a ride, so I took the bull by the horns, as the saying goes and began freelancing. I got picked up by a lingerie company client within two months and that got me started.

JY: Did you have to travel more?

SRO: Yeah, I began getting enough work to travel nearly every week from college to New York City, though at times it was really, really rough. I had to invest a lot a majority of the time and balancing school, personal life, and modeling was a large endeavor; it just goes to show you how much I wanted it. At the end of July 2004, after graduation, I moved to New York City, signed with an agency, have just begun doing some work within the media industry and I guess have started a new and interesting chapter in my life. We’ll see where it leads.

JY: What is your personal style?

SRO: Conscious wear with some sex appeal: clothes that are non-polluting, non-sweatshop labored, possibly fair-trade friendly, sustainable fibers. I am more conscious now than I ever have been about buying clothes. You can equate it to more and more people buying organic foods, free-range poultry, more efficient light bulbs and hybrid cars. I don’t buy all sustainable fashions, though, it’s just not there to buy at times, at least for what I want, but it will be – it’s all in due time.

JY: So conscious wear and sustainability can be worked in readily to high fashion?

SRO: Absolutely! There is a whole subculture of talented designers doing exactly what I am talking about.

JY: Who are some of the sustainable players that you support?

SRO: Oh there are so many! I believe you interviewed Australia’s Gabriel Scarvelli recently. I would love to get in touch with him. Linda Loudermilk really understands the unity between high fashion appeal and environmental well-being. When you see her lux creations – you just stare in awe and ask yourself – can this design really be made of bamboo? Or recycled wood? Or bottle caps?

Carasan Designs has a similar feel. The mother-daughter duo does not necessarily promote their garments as natural and sustainable, but a majority of the knitted, hand-beaded, hand-dyed, professionally tailored line is. When you wear their clothes, you know and feel the history behind them.

Other great lines include, Sara Cross’s chic coolnotcruel line, EcoGanik, Project Alabama, the fair-trade friendly line of Mercado Global, which I support 110% and will be linked to the Organic Portraits project, Stewart+Brown, and Earth Speaks.

And not to be forgotten, there are a number of upcoming designers and college students that dedicate their work to high style and sustainability. I think that is where it all begins and those people should be supported every step of the way.

The best part about all of these lines is that they have stories. And those stories are so human, so inspiring and so real. So many design lines nowadays are made just purely for profit and do not have any ounce of feeling, reflection or credibility behind them whatsoever, just a cut-sew-get-out-on-the-runway project with a grandiose label. I’m not saying that it’s the wrong way of doing things; I’m just saying that it’s less inspiring, less appealing.

JY: Can you tell me more about your academic successes?

SRO: Finishing college (laughs); no just kidding…I’ve won a few recognizable awards along the way like the National Wildlife Federation Fellowship, the Udall, and the Baccalaureate Service Award, all of which centered on my social and environmental work. I would have to say that my biggest successes, though, was allowing myself to be inspired by a number of people and in return inspiring them. That’s the greatest form of shared success that I can think of.

JY: The environment has been a trendy topic lately, but how can we create a positive change in the finance-obsessed culture of corporations? I know I’ve got to the age where I’ve seen the first “cycle” and the foundation hasn’t changed much…

SRO: I haven’t been in this industry too long, but from what I’ve seen is that it does come down to the bottom-line, so you have to liberally appeal to that. An idea has to be marketable and profitable and appealing all at the same time, and that is undoubtedly a challenge. With that in mind, you also have to break down the monster of finance-obsessed corporate culture; you have to realize that individuals make up that culture, and many times there is at least one individual within that culture that “gets it.” It’s like trying to find a needle in a haystack, but that one person, if s/he is in the appropriate position, may listen and may be able to make some type of a difference within that company. For instance, I’m working with a cable channel distributor and they have decided to create a more sustainable-lifestyle oriented channel. It was essentially one or two people within the corporation who noticed that consumers are beginning to care about value-oriented initiatives and that starting a channel surrounding those issues can also be profitable. It’s strange to see how everyone views new concepts as major risks, but then when they see these “risks” being put into practice, a vast portion of the world wonders why it wasn’t done sooner.

JY: So companies can be persuaded to adopt socially responsible policies without sacrificing their return to shareholders, as long as the bottom line is kept within their sites?

SRO: For the most part. But companies that were founded on value-oriented initiatives or companies that have later integrated that into their missions are naturally more understanding. They believe in community engagement. And conscious consumers prefer to see some magnitude of giving back to the world – it gives a face to a corporation and humanizes it a bit.

JY: Thanks for your time Summer Rayne.

SRO: Thank you, Jack. It was a pleasure.

We couldn't resist this one.